RITCHIE: Lucy!
CAVILL: Guy's work ethic and work method, I really enjoy it.
ARMIE: In between takes, you know, playing games of chess, playing the guitar...
VIKANDER: Armie even taught Guy now, to play the guitar.
They do little performances and they have made a few songs.
Guy loves chess. There's a lot of chess on set.
Chess... I don't really play.
I was like, cool, they're playing chess. Go be quiet somewhere else.
- Oh, you naughty boy. - Ha-ha.
Guy's a great chess player. Actually...
That's okay, I caught it. Don't worry, we're okay.
- Yeah, okay. - You can still... Oh!
Yes.
Steve Clark-Hall is the only person on set who beats Guy consistently.
Guy Ritchie? Is he here?
Whatever.
Guy is interested in life and in people.
And he's definitely a man on a journey. I mean, I love him.
He knows. I tell him every day, "I love you, man." Ha-ha-ha.
SOLO: Want to have a go?
Go on, choose your tools. But, I've got to say, I'm quite attracted to this.
You got one of those as well.
MAN 1: That's a radio. MAN 2: It's a radio.
(LAUGHING)
Or you can bloody around your nose a bit.
Pull his teeth out at some point.
I always wanted to work with Guy. Couldn't respect his films more.
I love his filmmaking style.
I mean, it's a Guy Ritchie movie. What other reason do you need?
He's taken out wet and he's rolled. It's like what the (BLEEP) do... I know what: Barn.
A typical day you show up, get ready, come to set, Guy comes in...
...and he says, let's run this. Let's see how it sounds.
(GRUNTING)
Look at that.
Then he looks at you and says, "Anything you think you can make more clever?"
Okay, you got this strong.
And he'll either go, "I quite like that."
Or, he'll go, "No, that's pretty (BLEEP).
So, it's like... Oh, (BLEEP). I forgot what I'm gonna say!
WAVERLY: Good evening, gentlemen.
Rather touching scene.
I'd say that Guy's directorial style was very unorthodox...
...but very interesting. We improvise a lot in terms of dialogue...
...and there's never any panic.
You have a new code name.
He's very... Very assured.
U.N.C.L.E.
MAN: Action. Cut.
Play it back to first positions. Run it one more time. Quiet!
He likes a very relaxed environment. It allows for creativity.
DEBICKI: It's a very spontaneous process, I think, working with Guy.
He's able to magic these amazing lines out of thin air.
WIGRAM: You have the beats that we have to hit...
...story points we know the characters must say, but can we make this better now?
It's been a great feeling, always knowing you've done more than was actually on their page.
That's really a privilege to work with someone who's that open to your suggestions.
I've never known a set which feels so lacking in tension.
ARMIE: It's fun. You get to have a hands-on role in the filmmaking process...
...as opposed to having a mark on the floor and someone says, "stand there and say this."
He just, let's us loose. It kind of pushes you too.
We get to know our own characters even more.
ARMIE: It keeps you on your toes. You do your homework.
You know things can change. And it always ends up being better.